But more than anything else, “vampire” sounds like an Olivia Rodrigo song, and a great one. Genius is the world’s biggest collection of song lyrics and musical knowledge. That trend continued across Sour, when fans couldn’t help but hear Paramore and Avril Lavigne on pop-punk songs like “good 4 u.” The well of inspiration grows on “vampire,” with flashes of Lana Del Rey and Adele and even the Strokes. 'deja vu': Guess the Lyrics (Olivia Rodrigo) Can you name the lyrics to 'deja vu' by Olivia Rodrigo By itsoc - /5 - RATE QUIZ MORE INFO Classic Best Score Go Orange. See all of deja vu by Olivia Rodrigo’s samples, covers, remixes, interpolations and live versions. When “drivers license” came out, it sounded like a deft synthesis of beloved influences - a little Lorde here, a little Billie Eilish there, a lot of Swift everywhere, a dash of the 1975 for good measure. No gossip item could be as devastating as the way Rodrigo’s voice reaches, sinks, and trembles as she takes her ex to task. ( The love triangle that inspired “drivers license” didn’t just propel the single to success, it made it inescapable.) But it’s also captivating enough to make those real-life details feel extraneous. And yes, the gossipy details of who, what, when, and where are once again right there. Yes, “vampire” is another breakup track from Rodrigo. The bridge would even impress her mentor, Taylor Swift, with each line sounding more emotionally exhausted than the last. The climaxes, even if cathartic, didn’t always feel fully earned, like the 0-to-60 bridge of “drivers license.” But “vampire” is a full performance, as Rodrigo builds a dramatic arc across the entire song. On Sour, Rodrigo’s acting background merely felt like an explanation for some of the project’s melodrama. “Bloodsucker, fame-fucker / Bleedin’ me dry like a goddamn vampire” is a canny, indelible couplet that should have pop writers everywhere kicking themselves for not thinking of it first. And Rodrigo’s lyrics keep the charming specificity of her Sour tracks while packing more of a clever punch. The instrumentals are crisper and grander, from the lush opening chords to the explosive guitar breakdown before the bridge. The growing tension in the second verse - when the drums kick in and the piano becomes more forceful, like a film score foreshadowing a pivotal moment - took me right back to when Rodrigo and producer Dan Nigro used the same trick on her 2021 breakout hit, “drivers license.” Now here she was, kicking off another album cycle with another piano-led ballad.īut listen close and you’ll find “vampire” isn’t just the sound of Rodrigo following a formula but perfecting one - a refreshing choice in the face of her make-or-break sophomore record, Guts. Max Martin and Joel Little are two Grammy-winning producers she’d like to work with someday, simply to watch them do their thing and learn from their expertise.The first time I heard Olivia Rodrigo’s new single, “vampire,” I got a bit of, well, déjà vu. In 2020, she started teaming up with other artists to take her “bedroom piano songs” up a notch. Her music career began in her bedroom, where she’d pen songs by herself-a process “you can only learn so much from,” she said. After comparisons were made between Rodrigos music and that of Taylor Swift and Paramore, the 18-year-old offered writing credits, which are proving to be costly. “Maybe it wouldn’t even be one that I sing, but I love catchy, anthemic pop songs, and I want to learn how to write one.”Ĭollaborations bring a fresh perspective to Rodrigo’s songwriting. Olivia Rodrigo Has Reportedly Given Up Millions Of Dollars In Royalties To Taylor Swift And Hayley Williams After Being Accused Of Copying Their Songs. “I love pop pop music, like down the middle, absolute bubblegum pop music… I would love to write a big pop song,” Rodrigo said about what she’d like to explore in the future. This was “out of comfort zone,” she admitted, but it was a chance to try new sounds and see where her powerful voice could take her. Its bright synths and melodies were challenging to perfect, because they’re so different from the sad breakup ballads she’s known for. Everybody does it, but after a long time you realize little experiences can be translated into art… I’m learning how to observe the world through a songwriter’s lens.” Getting your driver’s license, it’s very menial. “That’s sometimes a blessing and a curse, but in my songwriting, I feel like it definitely helps… paying attention to little things and being like, oh, maybe that could be a song. “Every little feeling for me is always very heightened,” Rodrigo said about finding magic in the mundane.
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